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Mass Media in Israel

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01In brief

Mass media in Israel is the system of print, broadcast, and digital outlets serving the country’s Hebrew-, Arabic-, English-, Russian-, and other language communities. Its development runs from an ideologically divided Hebrew press in the pre-state period to a multichannel, commercially competitive and increasingly digital environment, alongside a continuing public-broadcasting role. Newspapers, radio, television, online news, and specialist publications are arenas for political debate and public life, while their history also raises questions about language access, media concentration, security censorship, and the independence of public broadcasting. The press reached a notable wartime peak during the War of Independence, when fifteen Hebrew-language dailies appeared alongside German- and English-language papers.

02Origins and Historical Development

The modern Hebrew press in the Land of Israel began in Jerusalem in 1863 with the weekly papers Halevanon and Hahavatzelet. Ottoman authorities later closed both papers, and publication resumed around 1870 despite censorship and limited circulation.[5] Accounts differ on the first daily milestone: the National Library dates the first regular daily to autumn 1908, when Eliezer Ben-Yehuda edited Ha-Zvi, while another reference account identifies Ben-Yehuda’s Ha’or in 1910 as the first daily newspaper in Palestine.[1][5] Ben-Yehuda’s papers emphasized news and helped circulate newly coined Hebrew words, connecting Hebrew journalism with the development of a modern Hebrew public sphere.[5]

After the British conquest of Palestine, the Hebrew press entered a new period in which Palestine became a center of Hebrew publishing. Hadashot Ha'aretz, soon renamed Ha'aretz, and Do'ar Ha-Yom began publication in 1919. The National Library of Israel describes Ha'aretz as expressing a General Zionist platform and Do'ar Ha-Yom, founded by the Ben-Yehuda family and edited by Itamar Ben-Avi, as representing the Yishuv's right-wing element.[1] Davar, founded by the Histadrut in 1925, quickly became the Yishuv's most widespread and influential daily; it reflected the close association between political movements and newspapers that characterized much of the period.[1][5]

Political polarization shaped the pre-state press, where the prevailing assumption was that each party needed its own daily newspaper. In 1947, most papers were party-owned; Ha'aretz and Yediot Aharonot were among the exceptions identified as independent of that arrangement.[5] The private evening papers Yediot Ahronoth, founded in 1939, and Maariv, founded in 1948, offered a model distinct from the party press.[1] World War I halted most Hebrew newspaper publication, while the press expanded again after the British conquest as the Jewish population grew and privately owned and party-sponsored papers multiplied.[5]

Newspaper counts illustrate both the scale and multilingual character of the early market. At Israel's establishment in 1948, there were sixteen daily newspapers for a population of about 650,000: thirteen in Hebrew, one in English, and two in German. Seven years later, a reference account counted twenty-five dailies, published in Hebrew, German, English, Arabic, French, Yiddish, Hungarian, Romanian, and Polish.[6] During the War of Independence, the press reached a peak of fifteen Hebrew-language dailies, two German-language dailies, and one English-language daily.[1] The first decades of statehood retained a politicized journalistic arena, and the written press remained the main form of mass communication.[1]

Radio developed under both British Mandate and pre-state arrangements. A short-lived, specially licensed Radio Tel Aviv went on air at the Levant Fair on April 7, 1932; the Palestine Broadcasting Service (PBS), a British Mandate service, began daily broadcasting on March 30, 1936, in English, Arabic, and Hebrew. Its Hebrew service became known as Kol Yerushalayim, or “Voice of Jerusalem.”[7] These are distinct milestones: the 1932 broadcast was temporary, while the 1936 service inaugurated regular broadcasting under the PBS.[7]

Before statehood, the Irgun operated the underground radio network Kol Tzion HaLokhemet (“Voice of the Fighting Zion”). Its first broadcasts are dated to March 15, 1939, and Esther Raziel-Naor was among its early announcers. The station broadcast Irgun-related messages and news subject to British censorship; its broadcasts continued, except for an interruption after the British captured its transmitter in 1944, until May 14, 1948.[8] In June 1948, Menachem Begin used the station to urge Irgun members not to fight back after David Ben-Gurion ordered the sinking of the Altalena.[8]

Kol Israel began broadcasting on May 14, 1948, using staff and facilities from the former PBS and clandestine Haganah stations. Its administration passed through government offices, and the IDF established Galei Zahal, or Galey Tsahal, on September 24, 1950.[7] The radio system later included an Arabic service established in 1958.[7] The military radio service continued as a popular noncommercial alternative to public radio, and a scholarly account describes its two stations as part of the country's established broadcasting landscape.[3]

In the first decades after independence, party-affiliated papers gradually lost ground. Newspaper numbers fell from the 1960s, with party publications among the first to close; Davar weakened as Maariv and Ha'aretz gained leading positions, and the Labor movement papers Davar and Al Ha-Mishmar ceased publication in the 1990s.[1] Historical reference accounts describe the 1980s and 1990s as a period when party newspapers disappeared and ownership became concentrated among fewer organizations.[6] The transition was part of a broader movement away from party subsidies toward privatization and commercial journalism, which an Encyclopedia.com account associates with more investigative and critical reporting, as well as with greater concentration and cross-ownership.[6]

04Radio, Television, and Public Broadcasting

Public broadcasting became a central part of Israel's media system, first through radio and then television. The Broadcasting Authority Law, passed on June 6, 1965, created the Israel Broadcasting Authority (IBA) as an independent public body; an amendment in 1968 extended its remit to television.[7] A scholarly account describes public broadcasting as dating from 1965 and as a continuous presence in public life and culture.[16] The IBA's funding included a television-set licence fee, a car levy, public-service announcements, television underwriting, and radio advertising.[16]

Television began with educational programming. Israel's first television broadcast, on March 24, 1966, was an instructional mathematics program aimed at seventh- and ninth-grade students in 32 schools. Educational broadcasts were designed to occupy half a class period and included subjects such as mathematics, English, and biology.[17] Israel Educational Television began transmissions in 1966, and educational and general-interest programming shared one channel until the late 1980s.[7][17] General-interest broadcasting by the Israel Broadcasting Authority began in 1968; the IBA inaugurated Israel Television on May 2 of that year with a broadcast of Jerusalem's Independence Day parade.[17][7]

The broadcasting market expanded gradually from a single-channel arrangement. Color television arrived in 1983, and the first commercial second channel followed in 1993; cable television began in 1994 and a third major broadcast channel in 2002, according to one chronology.[17] Other accounts mark commercial television at 1992 or describe the second service as beginning in November 1993, while private cable television is dated to 1989 in another overview.[18][7] The sources appear to use different milestones or definitions, so these dates are best understood as descriptions of successive phases rather than a single uncontested launch point. Satellite services and additional commercial channels expanded the system further.[18]

Commercial broadcasting also developed in radio. The Jewish Virtual Library chronology records the start of commercial local radio in September 1995, while Encyclopedia.com dates regional private commercial radio to 1996.[7][18] The sources' slightly different dates may refer to separate steps in the introduction of private broadcasting. Broadcasting remained subject to a more extensive regulatory structure than print or online news, with multiple authorities involved in market organization and content oversight.[19]

Public radio and television carried programming in multiple languages. Kol Israel's programming expanded from a single network to include news, Hebrew-language music, classical music, Arabic broadcasting, and programming for immigrants in languages including Amharic and Russian.[20] An historical anthology describes early Kol Yisrael broadcasts serving immigrant communities and audiences abroad in fifteen languages, among them Russian, Georgian, Yiddish, Spanish, Arabic, and Farsi; that language count pertains to the anthology's historical account, not current services.[21] Radio and television also became important arenas for political debate and election communication.[21]

The IBA's role as public broadcaster ended in a major institutional transition. In 2014, legislation repealed the law establishing the IBA and replaced it with the Israeli Public Broadcasting Law, creating the Israeli Broadcasting Corporation (IBC) to take its place.[16] The legislation provided for closing the IBA and Educational Television and establishing a new public broadcaster, with Hebrew, Arabic, and children's television channels and eight radio stations planned at the time. The law provided for replacing the television licence fee with state funding and passed in the Knesset by 45 votes to 11, with one abstention.[22] The new corporation was mostly funded through government funding collected via a car levy, with the licence fee eliminated.[16]

The new broadcaster, branded Kan, began broadcasting in 2017 after a politically contentious transition. Its launch had initially been planned for January 1, 2017, but was postponed by a Knesset vote until the end of April; the postponement passed 32–17 after an all-night opposition filibuster.[23] A dispute over whether the news division should be separated from the new corporation threatened the governing coalition, and the Knesset voted to establish an independent news department shortly before launch. The corporation launched as one unit after the High Court issued an injunction against the proposed separation.[24][25] The transition replaced a broadcaster that had held a radio and television monopoly until the 1990s, according to a historical account.[25]

The move from the IBA to Kan coincided with wider policy debates about funding, institutional independence, and political influence. In 2023, reporting described proposed changes to Kan's funding and role: Communications Minister Shlomo Karhi said the aim was to increase competition and reduce barriers, while journalists and other critics warned that cuts or political influence could threaten the broadcaster's role and independence.[25] These were reported arguments and positions, not settled findings. A 2017 Congressional Research Service report had already recorded concerns about the public broadcaster's viability and possible government influence over news after the Knesset voted to establish a news department independent of the new broadcaster.[24]

Television's commercial structure also changed. The first commercial station aired for years as Channel 2 before dividing into Channels 12 and 13 in 2017. A 2023 account identified Kan 11, Keshet 12, and Reshet 13 as the main original television networks at that time, alongside Channel 14, which the article characterized as broadcasting right-wing and religious content.[25] Such outlet descriptions reflect the source's 2023 snapshot, not a timeless account of the market. The 2005 premiere of the Israeli series BeTipul was identified as a creative turning point; its English-language HBO adaptation, In Treatment, premiered in 2008 and won two Emmy Awards and a Golden Globe.[17]

In 2008, television oversight was distributed among several institutions: the Ministry of Education oversaw the Education Channel; the IBA was run by an administrative committee of public officials; the Second Authority for Television and Radio supervised commercial Channels 2 and 10; and the Council for Cable and Satellite Broadcasting supervised cable and satellite networks.[26] The same account argued that the system should be understood as an interdependent whole rather than as isolated channels and regulators.[26] Later changes to the broadcasting laws and public broadcaster reshaped this landscape, but the cited regulatory descriptions are specific to their publication periods.

05Digital Media and Changing News Use

Online journalism altered the speed and structure of news distribution in Israel. Globes was the first major Israeli news website, going online in 1996, initially in English and later in Hebrew. Kol Israel, The Jerusalem Post, Haaretz, and other media subsequently established websites that at first tended to update at the pace of their original medium—daily for newspapers and hourly for radio.[27] In 1997–99, portals and other websites began developing original content, although news had not yet become their main feature.[27]

Ynet's launch in June 2000 marked a new phase in the development of online news. The site operated as a national news organization using the internet and was established as an autonomous content operation, separate from the newspaper newsroom.[27] The demand for round-the-clock updates led many print organizations to change their online models and made online journalism a stronger influence on the media agenda.[27] A contemporary account described immediacy, availability, varied content, and searchable archives as advantages of internet news, and said television and the internet encouraged newspapers to focus more on interpretation, in-depth reporting, and opinion writing.[27]

Online news expanded access and participation, while audience attention also clustered around major sites. A TIM survey cited in a contemporary account reported that 73 percent of 2.7 million Israeli internet users read news online about four and a half years after Ynet's launch.[27] A scholarly account describes online journalism as moving from an initial “penetration” stage to “institutionalization” during the first decade of the 2000s, while printed newspapers adapted to the online environment.[28] It also argues that powerful media conglomerates strengthened their hold on the new platform, even as online journalism was associated with greater access to information and pluralism.[28]

Digital platforms facilitate cross-border readership and connection among Arabic-speaking audiences. By the 2000s, satellite television had made it easier for Arab citizens of Israel to follow wider pan-Arab cultural and political discussion, complementing radio and literature.[29] In research cited in a 2018 analysis, 41 percent of Arab television viewers in the general population said such viewing strengthened their sense of belonging to the Arab world; among elite circles, the figure was 73 percent.[29] These survey findings describe reported perceptions and do not establish that television alone caused changes in identity.

The same analysis described social media as connecting Arab citizens of Israel with users and content in Gaza and the West Bank—the latter known by its original, indigenous Jewish name of Judea and Samaria—and as one possible influence on Palestinian identity.[29] It reported that between 2003 and 2015 the share of Arab citizens of Israel who spent leisure time with an Israeli Jew rose from 44.2 to 72.6 percent, while reported affiliation with the term “Palestinian” rose from 47 to 63 percent.[29] The account explicitly cautioned that social media was not the only factor, and also discussed political and socioeconomic conditions.[29]

A striking example of cross-border digital readership came from the West Bank online newspaper al-Ma’an. In the first half of 2018, its Facebook content received approximately 590,000 clicks from the West Bank and Gaza, whose combined population the account placed above five million, and more than 570,000 from Israel. The figures were attributed to an al-Ma’an journalist with access to the publication's Facebook account; much of the Israeli readership was said to come from the Arab minority.[29] The numbers demonstrate substantial audience overlap in that period, but are not a comprehensive measure of unique readers or current use.

Online news use coexists with television, radio, and print. A Central Bureau of Statistics social survey covering interviews conducted from January 2022 to January 2023 found that, among Israelis aged twenty and above, 47 percent named television and 42 percent Israeli news websites as news sources; 15 percent named social networks and 11.5 percent radio.[30] In the same survey, 28 percent considered social networks somewhat or very reliable, compared with 48 percent for radio and 44 percent for television and newspapers.[30] The survey included 6,501 people and provides a dated snapshot, not a current measure of media consumption.

The National Library of Israel's Internet Archive preserves evidence of the changing digital landscape. Its annual archiving collects millions of websites once a year, including most .il websites, Hebrew-language websites, and websites hosted on servers in Israel; the Library says its records of Israeli websites extend back to 1996.[31] Its periodic archiving also captures selected Hebrew-, Arabic-, and English-language news websites at higher frequency, in some cases daily, weekly, or monthly.[31] The archive provides a means of documenting how Israeli online publications and websites have changed over time.

06Regulation, Freedom, and Professional Practice

Media regulation in Israel has differed across print, broadcast, and online sectors. A 2020 Library of Congress legal report says Israeli courts have recognized freedom of expression, including press and political expression, as a basic constitutional right since the state's early years, though it is not expressly guaranteed in a Basic Law.[32] The report describes restrictions as possible in limited circumstances, including where expression is almost certain to cause real harm to public safety, and says courts have treated political expression as warranting particularly broad protection.[32] It also discusses legal prohibitions involving incitement to racism, terrorism, and violence, as well as Holocaust denial.[32]

The same report describes registration and licensing requirements for Israeli television and radio broadcasters. Under the Second Authority for TV and Radio Law, licenses were granted through public tenders; applicants had to meet corporate-registration conditions, and at least 26 percent of the means of control had to be held by Israeli citizens or residents or Israeli-registered corporations.[32] The report also describes disclosure requirements for certain media companies receiving support from foreign political entities.[32] These rules are drawn from a legal analysis last updated in December 2020 and should be read as a dated account, not a complete statement of current law.

Print media have been subject to different controls. The Press Ordinance of 1933 is described as the principal press-licensing instrument, while British Mandate Emergency Measures of 1945 provided a legal basis for military censorship.[6] An arrangement among the government, army, and press limited pre-publication review to specified security subjects for participating publications; the same print-media account says publications outside the arrangement, including the Arabic press, were subject to full censorship.[6] Other accounts describe the post-1948 arrangement as a mutual agreement intended to prevent breaches of state security, with the censor's list focused mainly on military and security issues rather than political ones.[10]

A 1989 High Court ruling is described as limiting censorship to cases where publication would certainly harm public safety. Newspapers could appeal a censor's decision to a three-person committee representing the public, army, and press.[10] The Ministry of Foreign Affairs account presents the agreement as a mechanism for coordinating security review, while other descriptions emphasize the scope of censorship and its unequal application across publications.[10][6] Because the accounts differ in framing and reflect particular periods, their descriptions should not be treated as an exhaustive current guide to censorship practice.

The U.S. Department of State's 2023 human-rights report says media organizations had to submit material concerning specified security or strategic-infrastructure matters to the Israeli Military Censor, a unit in the IDF's Directorate of Military Intelligence. Organizations could appeal decisions to the Supreme Court, while the censor could not appeal a court judgment.[33] The report says that, of 5,916 articles submitted in 2022, the censor banned 159 and interfered with the content of another 990, citing data released during 2023. It also reports regular government gag orders concerning sensitive security information and ongoing investigations.[33]

The U.S. Department of State's 2024 report says the law generally provided for freedom of expression for the press and other media and that the government generally respected this right for most Israelis. It also reports that NGOs and journalists described restrictions on press coverage and expression, particularly concerning criticism of the war or expressions of sympathy for Palestinians in Gaza.[34] The report says the Union of Journalists in Israel received reports of five journalist detentions and thirteen physical attacks by security forces against journalists during the year.[34] These findings are the report's stated observations and attributed reports; they should not be generalized beyond their scope.

Professional self-regulation has also played a role. The Israel Press Council was established voluntarily in 1963, bringing together journalists, publishers, editors, and members of the public. Its stated goals include protecting press freedom, maintaining professional ethics, and ensuring free access to information; historical accounts say it adopted a code of ethics and referred complaints to ethics tribunals.[10][6] The Council's creation reflected an effort to address professional standards and press freedom through an institution that included both industry participants and members of the public.

Online media developed outside some of the licensing arrangements governing broadcasters. A scholarly account says broadcast and cable media were heavily regulated, with multiple agencies involved in market structure and content oversight, whereas online news and entertainment remained unlicensed and outside the regulatory framework it described.[19] Another study characterizes changes in Israel's 70th year of independence as including abolition of the Press Ordinance, replacement of the IBA by the IBC, and amendment of the Second Authority Law to abolish the “dual broadcasting model” established in the 1990s.[35] The study interprets these changes as a break from the country's post-colonial media-policy structure; that is the authors' analytical framing.[35]

07Media in Times of Conflict and National Crisis

Israeli media have faced recurring tensions between the public's demand for timely information and concerns that coverage of terrorist attacks could amplify panic or expose security operations. After a first wave of suicide bombings in 1997, the International Institute for Counter-Terrorism convened Israeli media editors-in-chief to discuss coverage. Experts proposed voluntary practices such as avoiding close-ups of the dead and wounded and scenes of extreme panic, aiming to balance real-time public information with the risk of intensifying anxiety; editors rejected the proposals as interference with professional work, according to the account.[36]

The issue resurfaced during live coverage of the April 7, 2022, shooting attack on Dizengoff Street in Tel Aviv. Security agencies criticized broadcasters for airing the search for the attacker in real time. In a joint letter the following day, spokespeople for the IDF, Israel Police, and Shin Bet said some channels had turned the pursuit into “actual reality TV” and transmitted footage “without any filter.”[36] Channel 12 anchor Dana Weiss responded that IDF censorship was present in the studio, that no image had been censored during its broadcast, and that the channel complied when police asked it to stay away from the scene.[36] The episode illustrates the distinct positions of security agencies and broadcasters over live reporting during an active operation.

The media's wartime role was also prominent after the October 7, 2023, terrorist attacks. An Institute for National Security Studies (INSS) account reports that Israeli outlets began live, uninterrupted broadcasts from attack scenes and gave residents under siege a platform to describe events and appeal for help. The authors say some broadcasts also helped direct security forces to locations.[4] Their account drew partly on a closed-door discussion at INSS on December 28, 2023, with senior journalists, media researchers, experts, and IDF representatives; participants spoke for themselves and were guaranteed anonymity.[4]

The INSS authors characterize the initial post-October 7 coverage as unusually conformist, saying many journalists voluntarily aligned their work with what they understood to be the national interest rather than being recruited as state employees. They describe outlets as emphasizing Israeli victims, national unity, and support for the war effort, while showing relatively little of the destruction and suffering in Gaza.[4] The authors also report that some journalists and editors acknowledged reduced criticism of the IDF and limited editorial scrutiny of official military statements.[4] These are the authors' analysis and participants' accounts, not a quantitative measurement of every outlet's reporting.

The same account says television, radio, newspaper, and internet news audiences grew significantly in the first weeks after October 7. Surveys conducted since then found increased trust in media while public confidence in political leadership declined.[4] Coverage of civilian mobilization—including volunteer supply efforts and civilian “war rooms”—was described as contributing to a public image of unity amid divisions that had deepened during the 2023 judicial-reform debate.[4] The authors say media gradually and only partially resumed a more critical role after the initial period of the war.[4]

A turning point in coverage of military operations, according to the INSS account, came after the IDF accidentally killed hostages Alon Shamriz, Yotam Haim, and Samer Talalka, who had escaped their captors.[4] The authors also note that October 7 continued to feature prominently in Israeli evening news and in efforts to form collective memory.[4] These interpretations describe a particular period of wartime journalism and should be understood in that context.

08Significance and Continuing Change

Mass media in Israel have developed from a multilingual and politically divided press into a system spanning newspapers, broadcast networks, radio, and online platforms. The historical press connected Hebrew-language journalism with the growth of the Yishuv, while newspapers also served political parties, institutions, and distinct communities.[1][5] The early abundance of titles, including the wartime peak of fifteen Hebrew dailies alongside German- and English-language papers, reflected the press's place in public life during the transition to statehood.[1]

The shift from party-linked papers to commercial journalism altered both ownership and editorial practice. Newspaper numbers declined from the 1960s, party papers disappeared, and commercial television and digital news competed with print.[1][6] Historical accounts describe movement toward privatization and more critical reporting, but also document concentration and cross-ownership among a smaller number of organizations.[6] A 2016 study found that magazines, book publishing, pay television, and online news portals showed healthy competition, while describing print and broadcast television concentration as declining at the time; it also placed the number of media voices per capita near the top among the countries it examined, without providing a rank or count.[37] The study's outlet and ownership descriptions are a dated snapshot, not a current inventory.

The digital transition broadened participation and created new routes for audiences to access information. Online outlets introduced continuous updates, archives, and interactive features such as chat and “talkback” functions, while major sites attracted a large share of users.[27][27][38] Digital media also connect audiences across language and political boundaries, as shown by the cross-border readership of al-Ma’an and by research on Arab citizens' use of satellite television and social media.[29] The same developments have raised questions about whether online platforms diversify the public sphere or allow established media conglomerates to extend their influence.[28]

Public broadcasting remains a central point of debate over the relationship among state funding, institutional autonomy, and the public interest. The transition from the IBA to Kan changed the broadcaster's institutional structure and funding model, while disputes over the news division and later proposals concerning funding and authority drew competing claims about competition and independence.[16][24][25] In July 2026, the Knesset passed a broadcasting-reform law by a vote of 53–48. As described in a Globes report, the law creates a new broadcast-media authority, disbands the Second Authority for Television and Radio, gives the communications minister a role in appointing six of the new authority's nine council members, removes cross-ownership restrictions, and ends the structural separation between commercial channels and news companies.[39] The report says petitions were filed immediately and that the attorney general considered the law substantially flawed and a threat to the free press; these are attributed criticisms, not uncontested findings.[39]

The law followed earlier disputes about proposed changes to broadcasting rules. In May 2025, the Attorney General's Office warned of risks of political and commercial interference in news and reduced diversity of opinion, objecting to the proposed ministerial role in appointments, the removal of separation between commercial operations and news, and the lack of safeguards for editorial independence.[40] The bill received approval from the ministerial legislation committee despite those objections, according to the contemporary report.[40] The competing positions illustrate how regulation, ownership, and public broadcasting have remained contested features of the media environment.

The system's significance also lies in the different experiences of its language communities. Hebrew-language outlets dominate much of the national press, while Arabic, English, Russian, Haredi, and other community-focused media serve audiences with distinct cultural and informational needs.[2][6][14] Arabic media have included a substantial press tradition, public broadcasting, satellite television, and online platforms, but accounts differ over the adequacy of state Arabic-language broadcasting and the effects of restrictions on independent media.[9][29][41] The range of media forms and audiences makes access, representation, editorial independence, and public trust recurring questions in the study of Israeli mass media.

09Controversies and Debates

Debates about media freedom and state influence encompass both legal rules and practical constraints. Courts have recognized freedom of expression as a basic right, while laws and security procedures permit restrictions in specified circumstances, including military censorship and gag orders.[32][33] The scope and effects of these arrangements are disputed: official accounts emphasize security purposes and avenues of appeal, while human-rights reporting and other analyses record censorship, restrictions, or concerns about political influence.[10][6][34] The figures reported for censorship in 2022 and reports of limits on expression in 2024 are tied to particular reporting periods and sources.[33][34]

Arabic-language media are another area of disagreement. A 2018 analysis describes a historical period in which Arabic broadcasting was state-sponsored and independent Arab newspapers or radio broadcasts that might promote Palestinian identity were restricted; it quotes a researcher recalling a single television channel and roughly ninety minutes of Arabic programming, saying, “you would get whatever the government wanted to give you vertically.”[29] A 2018 Begin-Sadat Center article likewise characterizes public Arabic broadcasting as limited in resources and reach, and cites State Comptroller reports from 2009 and 2010 criticizing its effectiveness, including during Operation Cast Lead.[41] These are source characterizations of a contested history, not a complete account of all Arabic-language media or policy across periods.

Ownership concentration and political influence have also been debated. Scholarly and reference accounts describe consolidation, cross-ownership, and close relationships between media and political or security institutions, while some characterize particular ties as involving purported corruption.[6][19] Such claims are interpretive and period-specific; the available sources do not provide a comprehensive current ownership map. Similarly, disputes over Kan's funding and the 2025–26 broadcasting reforms involve competing positions about competition, political influence, and editorial independence rather than a settled assessment of the reforms' effects.[25][39][40]

Finally, the appropriate limits of live coverage during terrorist attacks have remained contested between security agencies and news organizations. The 2022 Dizengoff Street dispute paired security officials' criticism of real-time pursuit coverage with Channel 12's account of its compliance with police requests and the presence of military censorship in the studio.[36] The disagreement reflects a recurring tension between public access to immediate information, journalistic independence, and operational security.

Sources

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  10. 10Israel Ministry of Foreign Affairs, The Printed Media—Israel’s Newspapers, accessed on October 26, 2026.
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  14. 14Berman Jewish Policy Archive, Ruth Ebenstein, “The Ultra-Orthodox Press, accessed on October 26, 2026.
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IsraelPedia Question & Answers

  • What is mass media in Israel?

    Mass media in Israel is the system of print, broadcast, and digital outlets serving Hebrew-, Arabic-, English-, Russian-, and other language communities. It includes newspapers, radio, television, online news, and specialist publications, which are arenas for political debate and public life. Its development has moved from an ideologically divided Hebrew press before statehood to a multichannel, commercially competitive, increasingly digital environment, alongside a continuing public-broadcasting role.

  • How did Hebrew newspapers develop before Israel was established?

    The modern Hebrew press in the Land of Israel began in Jerusalem in 1863 with the weekly papers Halevanon and Hahavatzelet. After Ottoman authorities closed them, publication resumed around 1870 despite censorship and limited circulation. Hebrew newspapers later reflected the political divisions of the Yishuv, with most papers party-owned in 1947; Ha'aretz and Yediot Aharonot were among the exceptions.

  • How did radio broadcasting begin in Israel?

    A specially licensed, short-lived Radio Tel Aviv broadcast from the Levant Fair on April 7, 1932, while regular broadcasting under the British Mandate began with the Palestine Broadcasting Service on March 30, 1936. Kol Israel began broadcasting on May 14, 1948, using staff and facilities from the former service and clandestine Haganah stations. The IDF established Galei Zahal on September 24, 1950.

  • How did television develop in Israel?

    Israel's first television broadcast was an instructional mathematics program on March 24, 1966, aimed at seventh- and ninth-grade students in 32 schools. General-interest broadcasting by the Israel Broadcasting Authority began in 1968, and the IBA inaugurated Israel Television on May 2 with a broadcast of Jerusalem's Independence Day parade. Commercial television, cable, satellite services, and additional channels later expanded the market.

  • What changed when Kan replaced the Israel Broadcasting Authority?

    Legislation passed in 2014 replaced the Israel Broadcasting Authority with the Israeli Broadcasting Corporation, which launched under the name Kan in 2017. The transition changed the public broadcaster's institutional structure and funding model, eliminating the television licence fee. Disputes over the news division and the launch delayed the transition and drew debate about public broadcasting's independence and political influence.

  • How has digital media changed news use in Israel?

    Digital news brought continuous updates, searchable archives, and new ways for audiences to access and participate in public discussion. Globes became the first major Israeli news website in 1996, and Ynet's launch in June 2000 marked a new phase in online journalism. Online outlets broadened access to information, while major sites attracted large audiences and raised questions about whether digital media diversify the public sphere or extend established media conglomerates' influence.

  • How are Israeli media regulated and censored?

    Media regulation in Israel varies across print, broadcast, and online sectors. Courts have recognized freedom of expression, including press and political expression, as a basic constitutional right since the state's early years, while security procedures allow military censorship and gag orders in specified circumstances. Broadcast media have been subject to licensing and oversight, and accounts of censorship describe appeals as well as disagreement over its scope and effects.